Exhibitions

Shen Xin is an artist working at the intersection of moving image, installation, and performance. Their practice explores various relations between individuals and the land they inhabit that exist outside the concept of nation.

This presentation brings together several 'transport objects', including Prova Car (1967), a masterpiece from the Flemish Community Collection.

TEN WOMEN / DIX FEMMES / TIEN VROUWEN / ZEHN FRAUEN is the third stage of the portrait series by Kristien Daem.

For INBOX Belgian artist Tom Hallet presents a new installation consisting of a series of fourteen drawings and a sculpture, in which two primordial gods battle it off against each other, or... together.

SHOW UP in M HKA presents 22 selected artworks from the inauguration edition of the Onboards Biennale: Show Up/Show-off. The Biennale took place during the summer of '21, showing the works of 200 contemporary international artists.

Come and play at the M HKA this summer. Dangle on Kati Heck's swing, or play a game of bowling on Dialogist-Kantor's bowling alley. If you want to imagine yourself as a life-size doll, take a seat in Job Koelewijn's packaging boxes.

Iteration I: Everything Is Everythang is an early sketch of a film in the making. Its first rendition, an intentionally opaque collage of sights and sounds recorded in March of this year, revolves around the artist’s family and friends in South Central Los Angeles

Belonging to the generation of artists formed at the juncture of Soviet times and Kazakhstani independence, Askhat Akhmedyarov has been active since the 1990s.

Marcel van Maele (Bruges 1931-Antwerp 2009) was a non-conformist and rebellious writer, poet, performer and visual artist. He opposed bourgeois life and the established order, and saw art as a means of changing consciousness

Born in the rebellious spirit of May 68, the loose collective Mass Moving hoped – like the students on the barricades – to take control of the imagination.

Ignace Cami is an artist that gives obsolete things renewal. Playing with the notion of ‘heritage’, he questions its place as being part of the natural law of society, whilst creating the conditions for its contemporary purpose and application.

Can anything still be original, in a state of reality where apps can be used to create works of art, and where everything can be looked up and accessed with a few swipes on our smartphone?