Exhibitions

Tenant of Culture created a monumental installation for Muhka using discarded clothing and construction materials. The exhibition explored how fashion, waste, and value are interconnected.

On the occasion of the fiftieth anniversary of his artistic career, Muhka organised a collection presentation featuring four installations by Antwerp-based artist Denmark.

This retrospective exhibition focused on the publishing house Multi-Art, founded by artist Paul Ibou (1939–2023) and his wife Liliane-Emma Staal.

An exhibition about wonder and creativity. Pupils from De Leerexpert Ziekenhuisschool worked with artists in workshops and presented the results in their own exhibition.

In five small-scale presentations, Muhka brought the history of Antwerp’s galleries to life. Galerie Ronny Van de Velde closed the series.

This exhibition was organized on the occasion of the donation to Muhka by Bob & Hélène Coppens de Zàgon of the works Ocean Highway, a transatlantic journey of a ghost driver, and De Keuze, a simulacrum.

With 'Where Should We Begin?', Falke Pisano explored the visible and invisible labour behind public art programmes. Pisano was offered the museum as a workspace and meeting point.

‘Pharmakos’ explored the phenomenon of the scapegoat and social exclusion through adornment as a means of empowerment and resistance. Through archival research and wearable jewelry, Vivi Touloumidi revealed how stigmatizing symbols from WWII continue to resonate in contemporary social conflicts.

The exhibition 'Museum in Motion' offered a glimpse into Muhka’s future. As the museum prepares for a new building, this presentation explored how the collection can evolve alongside its growing ambitions — through 24 key artists who may shape its future framework.

In 'Anamnesis', Tarik Kiswanson brought together poetry, performance, sculpture and video in a sensory exploration of memory, identity and time. With levitating forms and layered texts, the artist invited us to reflect on who we are, what we remember — and what we forget.

Mash Up was the first major retrospective featuring the work of Anthea Hamilton. The exhibition provided a unique opportunity to share an in-depth reading and articulation of Hamilton’s practice. At the same time, it opened up unprecedented perspectives and offered new interpretations.