Exhibitions

In High Capacity, artist Kasper Andreasen brought together two hundred collages made from printed matter collected between 1998 and 2003. The exhibition highlighted both the material and poetic qualities of the medium, while exploring the tension between abundance and ephemerality in the world of print.

In this exhibition, photographer Kristien Daem portrayed ten female artists based in Brussels through portraits. Their work was shown alongside the portraits, highlighting the richness and diversity of their artistic practices.

For INBOX Belgian artist Tom Hallet presented a new installation consisting of a series of fourteen drawings and a sculpture, in which two primordial gods battle it off against each other, or... together.

SHOW UP in M HKA presented 22 selected artworks from the inauguration edition of the Onboards Biennale: Show Up/Show-off. The Biennale took place during the summer of '21, showing the works of 200 contemporary international artists.

Iteration I: Everything Is Everythang was an early sketch of a film in the making. Its first rendition, an intentionally opaque collage of sights and sounds recorded in March 2023, revolves around the artist’s family and friends in South Central Los Angeles.

In the research project 'Call Me By Your Meme vol. 1', Nathan Gotlib and 24 (inter)national artists explored how creativity and authorship relate to an age of endless digital references. Three well-known internet memes served as the starting point for a critical and playful reinterpretation, blurring the lines between original and copy.

An exhibition about wonder and creativity. Pupils from De Leerexpert Ziekenhuisschool worked with artists in workshops and presented the results in their own exhibition.

In five small-scale presentations, Muhka brought the history of Antwerp’s galleries to life. Galerie Ronny Van de Velde closed the series.

This exhibition was organized on the occasion of the donation to Muhka by Bob & Hélène Coppens de Zàgon of the works Ocean Highway, a transatlantic journey of a ghost driver, and De Keuze, a simulacrum.

‘Pharmakos’ explored the phenomenon of the scapegoat and social exclusion through adornment as a means of empowerment and resistance. Through archival research and wearable jewelry, Vivi Touloumidi revealed how stigmatizing symbols from WWII continue to resonate in contemporary social conflicts.