Sunday 1.06.2025
Relive the work of Hugo Roelandt with a re-enactment of his Aeromatic Art Project 1 (1983) and a tour led by curators Joanna Zielińska and Marc Holthof, former assistant and friend of the artist.
A day that looks back at Roelandt’s original context and artistic vision — and shows how his work continues to resonate.
*PERFORMANCE – Aeromatic Art Project 1 (1983), Hugo Roelandt by Wase Model Helicopters Club
11:00-11:15, Zuidpark (public space near the M HKA), Vlaamsekaai, 2000 Antwerp
16:00-16:15, M HKA, the event takes place on the rooftop terrace.
In 1983, Hugo Roelandt premiered the Aeromatic Art Project 1, a performance in which model helicopter pilots attempted to keep their aircraft hovering in exactly the same spot in the air. This project was part of a series of works about play, technology and movement. It also referred to the old human dream of flight, a fascination that lives on in the media and video games. Here, technology was used as artistic material without symbolic references – the technology was present in its own right.
*GUIDED TOUR – Performing Archives by Marc Holthof & Joanna Zielinska
14:00-15:00, M HKA, 2nd floor
Bilingual: English and Dutch
Price: included in the museum ticket – reserve your spot via Eventbrite and buy your ticket on site. For more information on ticket prices, visit muhka.be.
This expert tour is a dialogue between Marc Holthof, formerly Hugo Roelandt’s assistant and writer, and Joanna Zielińska, performance curator at M HKA. We invite you to participate in a conversation about the exhibition and discover an unconventional perspective on performance art through the lens of the archive and the museum collection. Holthof will investigate the historical and local context in which Roelandt created his work, while Zielińska discusses the challenges of archiving ephemeral art.
*THE SALON – Play with Expression
Open continuously, M HKA, 1st floor
14:00-16:00: Guided session
In the Salon on the first floor, you can engage in research and play. Here, you’ll find materials and tasks inspired by the artistic practices of Hugo Roelandt and Panamarenko.
Between 14:00 and 16:00, join our guide Nele as you dive into the world of Hugo Roelandt. During this session, you’ll explore his bold style with a dress-up and photo session full of expression and experimentation. Play, push your boundaries, and colour outside the lines!
*ANIMATED FILM – Stories in Motion, Inspired by Panamarenko
Ongoing, M HKA, ground floor
KASKA DKO, in collaboration with M HKA, presents a series of Panamarenko-inspired animated films created by children, youth, and adults from the Audiovisual, Film and Video Art, and Digital Visual Arts programs. Using self-designed vehicles, engaging storylines, and dynamic storyboards, they bring their own adventures to life.
*AUTOMATIC AUDIO TOUR – An English-language audio tour inspired by the work of Hugo Roelandt
Ongoing, 2nd floor: Hugo Roelandt
In English, bring your own earphones.
By Bernadette Zdrazil, Tibo Vergote, Noura Marien and Ethan Cannaert, students of the Educational Master’s programme at the Royal Academy of Fine Arts Antwerp
An experimental audio tour that guides the visitor during their visit to the Hugo Roelandt exhibition. We provide you with a series of simple instructions to follow in the exhibition: “If you do exactly what we say, then you create the piece yourself.”
In this audio tour, the audience is challenged to move through the exhibition as a performer. Visitors are given the opportunity to actively participate and make choices within the exhibition.
*FILM – From Visitor to Performer: Hugo Roelandt and the Automatic Audio Tour
Ongoing, M HKA, 1st floor (Salon)
In English
This film takes the exhibition Hugo Roelandt – The End is a New Beginning as its starting point and focuses on the Automatic Audio Tour. What began as a participatory audio experience has evolved into an autonomous artwork that gives tangible form to the concept of Post-Performance.
The film captures how visitors follow the tour’s instructions, shedding their role as spectators and becoming performers. At the same time, the viewer is drawn in, shifting from observer to participant. This interplay of roles and perspectives lies at the heart of Roelandt’s practice.